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第十屆全國(guó)文體學(xué)研討會(huì)文選 共有 274 個(gè)詞條內(nèi)容

1.Introduction

    Metalanguage is a kind of language used to describe language itself.It has been approached in logic, linguistics as well as literature from different aspects and with different applications.Metalanguage stems from modern logic.In 1933 Tarski firstly made ...[繼續(xù)閱讀]

第十屆全國(guó)文體學(xué)研討會(huì)文選

3.Categorization and division

    What accounts for the power of “nigger” is the fact that it is an important social categorization.The word owes its constructive power to the categorical thinking that underlies and also maintains the racial division in the society.Christmas problem is th...[繼續(xù)閱讀]

第十屆全國(guó)文體學(xué)研討會(huì)文選

3.結(jié)語

    本文嘗試通過語用學(xué)的方式原則解讀奧尼爾悲劇中部分帶強(qiáng)烈標(biāo)記的人物對(duì)話,揭開隱含的話語動(dòng)機(jī),并由此推導(dǎo)出不同人物的態(tài)度亞世界,闡釋他們?cè)谛拍睢⒇?zé)任、愿望、夢(mèng)幻等私人世界之間的敵對(duì)與沖突,剖析隱藏在話語世界里的社...[繼續(xù)閱讀]

第十屆全國(guó)文體學(xué)研討會(huì)文選

3.2.2 Text, image, and advertising effect: A multimodal stylistic analysis

    Altogether four advertisements have been collected for analysis.In the spirit of a qualitative-inductive enquiry, they will be analysed as different individual cases to find out if there are some common multimodal stylistic features.There are as many diff...[繼續(xù)閱讀]

第十屆全國(guó)文體學(xué)研討會(huì)文選

1.1 Alice Munro: A feminist short story writer

    Born in Wingham, Ontario, Canada, on July 10th, 1931 to a fox farmer and a former school teacher, Alice Munro is widely regarded as one of the most important short story writers, not just in Canada but in the English-speaking world as a whole.She is accla...[繼續(xù)閱讀]

第十屆全國(guó)文體學(xué)研討會(huì)文選

6.Discussions and concluding remarks

    Following the presentation format of scientific research, some tentative discussions and concluding remarks are given in the current chapter to round up the presentation of our project.Although they are only preliminary, we hope that they will be the poin...[繼續(xù)閱讀]

第十屆全國(guó)文體學(xué)研討會(huì)文選

2.多勒澤爾的可能世界敘事語義學(xué)

    “可能世界”這一術(shù)語于17世紀(jì)由哲學(xué)家萊布尼茨(Leibniz)首先提出,用來解決邏輯語義學(xué)中的一些問題,如情態(tài)操作詞和非真實(shí)陳述的真值條件等。隨后一些重要的文學(xué)理論家,如艾柯、帕維爾、瑞恩、多勒澤爾等都對(duì)可能世界理論展開...[繼續(xù)閱讀]

第十屆全國(guó)文體學(xué)研討會(huì)文選

2.2.3 Textual meaning

    For the purposes of this paper we have taken the Hallidayan model in which all the sentences in a text have a thematic constituent located in initial position.By analyzing the thematic structure of a text clause by clause, one can gain an insight into its...[繼續(xù)閱讀]

第十屆全國(guó)文體學(xué)研討會(huì)文選

References

    Barthes, R.1977.From work to text.In Image-Music-Text (Essays selected and translated by Stephen Heath).New York: Hill and Wang, 155-164.Bühler, K.1934.Sprachtheorie.Stuttgart: Gustav Fischer Verlag.Bühler, K.2011.Theory of Language: The Representational ...[繼續(xù)閱讀]

第十屆全國(guó)文體學(xué)研討會(huì)文選

《原野》語用文體的多樣性研究

    摘 要: 戲劇文體學(xué)是文體學(xué)發(fā)展的重要領(lǐng)域,戲劇語言的特殊語用建立在一般語用機(jī)制之上。采取文學(xué)語言認(rèn)知中關(guān)于日常語言使用的立場(chǎng)觀點(diǎn),找到劇本中恰當(dāng)?shù)?、?dòng)態(tài)的語言和會(huì)話結(jié)構(gòu)并系統(tǒng)描寫分析,可揭示讀者的閱讀反應(yīng)機(jī)制...[繼續(xù)閱讀]

第十屆全國(guó)文體學(xué)研討會(huì)文選